PAPER 2 Β· CHAPTER 3
ποΈ Applied Art
"Applied art" is where beauty has to do a job. How it differs from "fine art" (painting), how it overlaps with press/computers/photography, and the everyday design forms every graphic designer must know.
3.1Introduction about Applied Arts (based on graphic design)
Applied art is art made for a practical purpose β art that "applies" to a real-world function. Graphic design is a major branch of applied art because every design exists to communicate, sell, inform, or identify something.
Applied art vs Fine art
| Applied Art | Fine Art |
|---|---|
| Has a practical purpose | Purpose is self-expression / beauty |
| Designed for mass reproduction | Usually one-of-a-kind |
| Client / brief drives it | Artist's own vision drives it |
| Judged by how well it works | Judged by emotional/aesthetic impact |
| Examples: poster, logo, packaging, book cover | Examples: painting, sculpture, installation |
Branches of Applied Art
- Graphic design β print & digital communication.
- Industrial design β products, objects (chairs, cars).
- Interior design β spaces.
- Fashion design β clothing.
- Architecture β buildings.
- Textile design β fabric patterns.
- Animation and motion design.
Fine art = a song a musician writes for themselves.
Applied art = a jingle that has to sell you biscuits in 15 seconds.
Both need talent. Only one has a deadline and a client.
3.2Differences Between Painting and Graphic Design
| Aspect | Painting | Graphic Design |
|---|---|---|
| Purpose | Self-expression, beauty, emotion | Communication, problem-solving |
| Audience | Art lovers, collectors | General public / target audience |
| Client | Usually none β the artist is their own client | Always β a client's message to deliver |
| Output | One original canvas | Many printed / digital copies |
| Tools | Brush, paint, canvas | Computer, software, printer |
| Medium | Oil, watercolour, acrylic on canvas/paper | Pixel + ink β endless mediums |
| Time | Flexible β "done when done" | Strict deadlines |
| Success measured by | Aesthetic / emotional impact, sale price | Did it communicate? Did sales/engagement rise? |
| Reuse | Original stays unique | Assets reused across campaigns |
| Process | Intuitive, organic | Research β sketch β iterate β approve β deliver |
What they SHARE
- Both use the same elements β line, shape, colour, composition, contrast.
- Both require an eye for aesthetics and cultural taste.
- Both rely on the same natural principles (balance, harmony, rhythm).
- Many graphic designers are also painters β skills transfer.
Painter: "I'll decide when it's done."
Designer: "The magazine goes to press at 11 pm."
Same craft family β completely different clock.
3.3Popular Works in Graphic Design
World-famous
- "I β€οΈ NY" β Milton Glaser (1977). Still in use 50 years later.
- Nike "Swoosh" β Carolyn Davidson, 1971, paid $35.
- Apple logo β Rob Janoff, 1977 (rainbow), simplified later.
- Coca-Cola wordmark β Frank M. Robinson, 1886.
- London Underground map β Harry Beck, 1931 β classic information design.
- "Obama Hope" poster β Shepard Fairey, 2008.
- Helvetica typeface β Max Miedinger & Eduard Hoffmann, 1957.
- Penguin Books cover system β Jan Tschichold β disciplined, consistent book covers.
Legendary designers to know
- Paul Rand β IBM, ABC, UPS, Westinghouse logos.
- Saul Bass β film titles (Psycho, Vertigo), AT&T logo.
- Milton Glaser β I β€οΈ NY, Bob Dylan poster.
- Massimo Vignelli β American Airlines, NYC subway map.
- Stefan Sagmeister β music, branding.
- Jessica Walsh β branding, &Walsh studio.
Nepali context
- Gorkhapatra masthead β long-standing identity of Nepal's oldest newspaper.
- Nepal Airlines logo, Nepal Rastra Bank identity.
- Everest calendar art β tradition of annual Nepali calendars.
- Folk illustration β Paubha, thangka (cross-over into graphic illustration).
- Works by senior Nepali designers and illustrators in publications and advertising.
3.4General Knowledge of Press, Computer and Photography
Press (printing)
- Offset printing β most common for newspapers, books, magazines. High quality, economical for large runs.
- Digital printing β no plates; good for short runs, posters, labels.
- Flexography β on packaging, plastic, labels.
- Screen printing β t-shirts, signs.
- Letterpress β old, now boutique/premium invitations.
- Key press terms: CMYK, bleed (3β5 mm extra outside the cut line), trim, registration marks, GSM (paper weight), DPI (300 DPI for print), spot colour, Pantone.
Computer (for a designer)
- OS β Mac or Windows.
- Software β Photoshop, Illustrator, InDesign, Freehand/CorelDRAW, Figma.
- Peripherals β graphics tablet (Wacom), colour-calibrated monitor, printer, scanner.
- File formats β raster: JPEG, PNG, TIFF, PSD. Vector: AI, EPS, SVG. Layout: INDD, IDML, PDF.
- Storage β cloud backup (Google Drive, Dropbox) + local.
- Resolution β 72 DPI for screen, 300 DPI for print.
Photography
- Exposure triangle β Aperture (f-stop), Shutter speed, ISO.
- Composition rules β rule of thirds, leading lines, framing, symmetry.
- Types relevant to media: news, portrait, product, event, documentary, food, fashion.
- Photo file workflow β RAW β edit in Lightroom/Photoshop β export JPG/TIFF β place in InDesign.
- Colour management β RGB workflow, convert to CMYK at press time.
- Ethics β news photos can be cropped and colour-corrected but not manipulated to mislead.
Press + Computer + Photography = a media house's three legs.
Knock one off, and the whole table tips. A senior designer has to walk confidently on all three.
3.5Common Graphic Design Forms (overview)
Quick tour β each is covered in depth in Chapter 4. Here's just enough to recognize them and answer short questions:
- Dummy β a blank mock-up of a publication showing page count, size, folds. Printers use it to plan.
- Layout (ΰ€Έΰ€Ύΰ€ΰ€Έΰ€ΰ₯ΰ€ΰ€Ύ) β the arrangement of text, images, and space on a page.
- Letter formatting / Typography β choice and arrangement of type.
- Illustration (ΰ€¦ΰ₯ΰ€·ΰ₯ΰ€ΰ€Ύΰ€¨ΰ₯ΰ€€ ΰ€ΰ€Ώΰ€€ΰ₯ΰ€°) β drawn/painted imagery, original artwork.
- Book cover β the first impression of a book. Front + spine + back as one composition.
- Logo β a mark/emblem that represents an identity.
- Poster β a single-sided large print for events, films, awareness.
- Calendar β months + days + artwork; Nepali calendars often have cultural themes.
- Sticker β small adhesive design; promotional or decorative.
- Packaging β everything about how a product is wrapped: box, label, seals.
Dummy = the paratha you flip without stuffing β to check the pan's temperature.
Same with a publication dummy: size, folds, flow β all tested before the real content goes in.
Practice with sample questions
Gemini will write 5 practice questions (mix of 5-mark and 10-mark) with approach outlines and key points.
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